Many of the haiku I like have 2 contrasting parts (called fragment and phrase by Jane Reichold) in a juxtaposition that may seem incongruous at first. (Much of the fun comes from realizing that the juxtaposition does make sense, perhaps because one part clarifies the other.) After quoting from Jane’s essay Fragment & Phrase Theory, Kristjaan Panneman asks readers of Carpe Diem Theme Week (6) 5 “Ask Jane …” to honor her memory with a haiku in this style. My attempt is a haiku with
- the clearest fragment/phrase boundary of any haiku that I have written, plus
- a celebration of her essay’s emphasis on pluralism and pragmatism, with
- a line adapted from her essay in my phrase part;
- a few departures from common practice that work well here.
rules should not be carved in stone.
Bamboo bends with wind.