haiku, photography, science

Cracks in a Facade

As happens in many natural places, this stony mass presents a facade of barren sterility.  Gripped by Earth’s gravity, the rock seems weighted down by its own mass.  Then we look more closely.
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Mass ~ Pic and a Word Challenge #221

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Morose Monolith
|Sullen mass of stone,
|hosting only black lichen?
|Seeds and spores found cracks.

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flowers, haiku, love, photography, seasons

Widower’s Song #4

The first three are haiku in a previous post.  This new one is a tanka in response to a CDHK prompt.  A vase with this special urn’s shape and colors would have pleased Edith, and that means a lot to me.
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Carpe Diem #1814 lost love

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Widower’s Song #4: This Urn
|It held her ashes,
|waiting until daffodils
|came for them in spring.
|Then it held one last bouquet
|of her favorite flowers.

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haiku, history, humor, photography

Vertical Shoreline

How can a shoreline be vertical?  Well, steep cliffs can plunge nearly straight down into the sea.  There may be a cave entrance right at the actual shoreline.  Do we dare enter the cave?  Perhaps (to borrow a few words from Patrick Jennings’ Challenge #220) a beautiful light awaits us there.
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Shoreline ~ Pic and a Word Challenge #220

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Is the sea at Capri’s shoreline still as clear now as it was when I was there in 1977?  I hope so.

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While we’re on the subject of clarity, let’s note that it is not clear whether the eponymous goats really did live on ancient Capri.  But it is clear that the island sited precursors of Mar-a-Lago for Imperial Rome’s fat tyrants.

From the outside, the Blue Grotto (Tiberius’ private pool) looks much like the (other?) grotto in my photo.  The view from inside is entirely different.

A cave entrance right at the shoreline can sometimes work magic.

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Blue Grotto (Capri) [edited image]

Capri Shoreline, Long Ago
|Goats traverse cliffs while
|pink whale swims in blue grotto.
|Naked emperor.

food, haiku, photography

I Dig This Challenge

Photographer-poet Patrick Jennings posts a weekly challenge to create something inspired by one of his photos and a single word.  Challenge #219 is posted with a photo and an appropriate haiku (using the challenge word “dig”).  Fortunately for me, it is OK to reuse Patrick’s splendid image in a haiga with my own haiku.
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© Patrick Jennings | Dig ~ Pic and a Word Challenge #219

Low Tide at Seaside Creek Beach
|To dig for clams is why
|we are here, beneath this sky.
|No clams?  No problem!

Two Cheers 😀 😀

The first is for anybody who noticed that changing the haiku’s initial line

To dig for clams … ⇒ Clam digging …

would make the haiku comply with the 5-7-5 rule.  The second is for anybody who noticed that the version of the initial line with 6 syllables has a better rhythm.  The actual editing change was from 5 syllables to 6.  Does that seem like an odd direction to move?

The outside story says that a haiku “is” a 3-line poem in blank verse with syllable counts 5, 7, and 5.  While this story is oversimplified, it is still a good place to start.  (Some haiku poets disagree.)  The inside story is more complex.  Various poets bend or break various rules at various times for various (and often good) reasons.  Tho messier, the inside story is ultimately the better one.  Just ask the clam digger who went home with an empty bucket but a full heart.

 

haiku, music

Love in Norway

There are several good musical compositions that I hear too often because my radio station loves to air them.  For years, Edvard Grieg’s Holberg Suite was like that.  Then I heard one orchestra play it their (unique?) way, with deep love and infectious joy.
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Carpe Diem #1805 Introducing our new Theme … Love month

The lightly edited screenshot ending this post links to a performance by the Norwegian Chamber Orchestra.  They love this music, and it shows.  Near the end of the last movement, they even dance.  When was the last time U saw classical musicians dance while performing?

No Trolls Here
|Free from penguin suits
|and long gowns that wipe the floor,
|love and skill combine.
|They rescue Grieg’s Holberg Suite
|from bland transits thru the notes.

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haiku, photography, seasons, serendipity

Between Seasons in 2019

Where I live, 11-19 is usually too late for fall colors and too early for snowflakes.  Recent past and near future met when Fortune smiled on an out-of-season CDHK challenge posted 2019-11-14.
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Carpe Diem #1781 The Quest For A New Masterpiece Continues … colorful autumn

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Between Seasons #1
|Lost autumn colors,
|but garden flag remembers.
|Snow on power lines.

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The rules and examples for this challenge allow marking the cut with punctuation and tweaking the cut when swapping the initial and final lines.  Let’s do that.

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Between Seasons #2
|Snow on power lines.
|But garden flag remembers
|lost autumn colors.

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haiku, humor, photography, seasons

Fall Frolic

October is Chores Can Wait Month.  I took a short walk that inspired a haiku, but the chore gremlins got their revenge when the haiku generated yet another chore.  That’s OK.  Writing about the nuts and bolts of haiku beats raking leaves.
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Fall Frolic #1
|Dancing on the breeze,
|ignorant of gravity:
|red leaf in blue sky.

Nuts and Bolts

My haiku has “#1” in its title to distinguish it from a similar haiku Fall Frolic #2.  I prefer #1.  Why bother with #2 at all?  The answer to that question helps answer some others.

Fall Frolic #1 implicitly poses a riddle, then provides the answer.  Who is the ignorant dancer?  More subtly, why is (s)he said to be dancing “on” (not “in” or “with”) the breeze?  The basic structure is the same as in Jane Reichold’s classic

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Haiku © Jane Reichold superimposed on
Photo © Vladlena Azima | ShutterStock

Now consider swapping the initial and final lines of my riddle haiku:

Fall Frolic #2
|Red leaf in blue sky,
|ignorant of gravity:
|dancing on the breeze.

While #2 describes the same scene #1, it lacks the suspense and resolution of the riddle structure.  While both versions work, #1 works better.  I still owe U an explanation: why bother with #2 at all?

The first draft for what eventually became #1 had initial and final lines that were very close to the corresponding lines in #2.  The middle line had an entirely different way of hinting that the leaf’s freedom is a temporary illusion, between being stuck on the tree and stuck on the ground.  The first draft’s hint would have been too obscure w/o either an appropriate picture or the explicit scene setting done by the initial line in #2.

Already unhappy with the first draft’s middle line, I swapped initial and final lines on a whim.  The resulting riddle structure was motivation to get serious about clarifying the middle line.

Some haiku poets strive to have the initial and final lines be interchangeable.  Unless I am responding to a challenge calling for haiku that work just as well when the initial and final lines are swapped, I usually do not consider swapping.  Too gimmicky and arcane.  But a swap while revising might help answer the eternal writers’ questions

Am I saying what I want to say?

Am I saying it clearly?

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haiku, humor, photography

Gray Squirrel

North American gray squirrels are famously good at raiding “squirrel-proof” bird feeders.  At best, the obstacles persuade most squirrels to look elsewhere (most of the time).  Dunno about Japanese squirrels, but they do have a tradition to uphold.
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Carpe Diem #1765 Squirrel …

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Gurērisu
|Jump! Grab! Swing hips up!
|Nimble ninja hogs the seeds.
|Birds have a long wait.

haiku, humor

And So It Goes

When I posted an ant haiku in 2016, I had no appropriate image and did not know the Japanese word [ensō].  My response to a CDHK prompt for an ant haiku embellishes the haiku from 2016 with a new image based on a freehand circle.  Ensō it goes.
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Carpe Diem #1764 Ants …

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Kiss Overlay © OlyaTropinina | 123RF Stock Photo

Mission Accomplished?
|Ant with wings staggers,
|then dies. Did I see him smirk?
|Had he banged a queen?

haiku, humor, photography

Enemy of My Enemy

To a female mosquito, I look like lunch: a big bag of nice warm blood.  So the mosquito is my enemy.  But I also have a friend.  My haiku about their interaction could respond to a prompt for either the friend or the enemy.
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Carpe Diem #1762 Mosquitoes …

One day in 2015, I happened to arrange my lunch veggies so as to look a little like a dragonfly, with snow peas as wings.  Hmmm.  Maybe I could pull more veggies from the fridge and make an arrangement that looks a lot like a dragonfly to me.  (No real dragonfly would be fooled.)  This little project reminded me that a dragonfly is the enemy of my enemy, and thus my friend.

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What’s for Lunch?
|Mosquitoes in flight
|are seen as meat on the hoof
|by a dragonfly.

 

haiku, humor, philosophy, politics, seasons

Vampire Bunny at a Haiku Party

Follow tradition or push the envelope?  Normal or weird?  (Normalcy spiked with weirdness?)  Haiku or senryu?  This crowd does not fret about simplistic dichotomies.  Let’s get some saké and join the party.
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Haiku poems often want (and sometimes need) to interact with images or prose, as in haiga or haibun.  Here is a gathering of ten haiku that could stand alone if they had to.  (Some would rather not.)  They have been invited to come here and interact with just each other, while enjoying some good saké (or whatever).

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Overlay © Incognito – Russian Federation | 123RF Stock Photo

A haiku inspired by an image may or may not speak to readers who have not seen the image.  It’s hard for the writer to make this call objectively.  That’s OK.  As Stephen Jay Gould often told readers of his articles in Natural History, perfect objectivity is a myth anyway.  (The path from my raw data to “facts” that matter to me depends on my cultural baggage and personal experience.)  Rather than pretend that my judgement calls are objective, I try to compensate for my biases.  In particular, some of my haiku were not invited to the party because they might be too dependent on their inspirations to stand alone.  That’s OK too.  Unlike me, they are not compulsively self-reliant.

Like some of the other guests, October was originally posted in a haiga or haibun context.  That’s why the title it wears as a name tag is also a link.  (When a pale yellow background indicates that several such guests arrived together from the same place, only one of them has a link.)  Click on a link to see the guest(s) interact with an image or some prose that adds to the experience of the haiku.

Seen in Spring
|Kelly green moss on
|rocks near the clear quiet stream
|with water striders 
|October
|Bright sun and cool air;
|azure skies and pumpkin pies.
|Leaves fall in glory. 
Who Miscounted?
|This so-called “haiku”
|ignores five-seven-five, so
|it’s not a haiku.
 
|Deciduous
|Lifeless?  No, leafless.
|Trees hold their breath all winter,
|exhale leaves in spring. 
This is Not Apollo 13
|Is failure an option?
|No, it is a given.
|But we will still try. 
|No Pots of Gold
|Seek ends of rainbows.
|You will not find them? Okay.
|The quest is enough. 
Fiscal Responsibility
|Debts rise; incomes fall.
|Hard times demand bold action:
|tax cuts for the rich! 
|Seize the Breeze
|Helicopter seeds
|fall from maples and travel
|far enough, this once. 
What’s for Lunch?
|Mosquitoes in flight
|are seen as meat on the hoof
|by a dragonfly. 
|Vampire Bunny
|With coprophagy
|as the alternative,
|you might suck blood too. 
haiku, humor, love, serendipity

What Lovers Watch

The prose and poetry below respond to a CDHK challenge about love in summer.  At 50 words in total (not counting boilerplate), they could have responded to an earlier challenge in the same series but were not ready in time.  Can’t rush love (or barbecue).
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© Betty Shelton | 123RF Stock Photo

Lovers joined the crowd on the beach last night, watching fireworks shot from a barge.  Now they watch the sunset.

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© Dan Hahn

Sunset on the Next Day
|The clouds burn yellow,
|smolder red, and fade to gray.
|The love keeps burning.
|Rockets lit the sky last night;
|more fireworks in bed tonight.

Carpe Diem #1696 Beach Love

Carpe Diem #2019 Summer Love … extreme haibun

 

flowers, haiku, photography

Lavender Elegy

My lavender rhododendron contributes a visual elegy to the Memorial Day observances in 2019.  Memorial Day is a time for sadness, along with the pride and gratitude that the same plant helped visualize in 2018.
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Memorial Colors
|Lavender salutes
|red, white, and blue of our flag.
|Pride and gratitude.

haiku, humor, language, oversimplify, photography

Red-y or Not …

Some short color words are spread thin in common usage.  Words like “red” are pinned on many things that are slightly reddish.  If plant breeders ever develop a cabbage that is actually red, they will find that the name “red cabbage” has been usurped.  Chaos in the produce aisle!  Hope spinach stays green.
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Red ~ Pic and a Word Challenge #187

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Salad Paradox
|Red peppers are red.
|Red cabbage is purple but
|is said to be red.
(reblog), haiku, photography

Emptiness Revisited

Empty talk and empty bowls elicit different responses.
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Carpe Diem Weekend Meditation #81
Poetry Archive (5) loneliness or emptiness

Choose a haiku, tanka or other form of Japanese poetry from your archive and share it with us all.  Tell us why you have chosen that poem … and create a new poem inspired on your choice.

A short sequence of 3-5-3 haiku dealt with emptiness for a challenge in another series.  I like the way the first haiku sets up the second one, so the whole sequence is my archive choice.  Can I write a new poem for the current challenge?  Yes, and there is a reason to put it before the archive choice.  The new poem is a 5-7-5 haiku:

Not Alone
|Lonely in the crowd
|and weary of empty talk,
|I seek solitude.

cartoon people in the crowd

© Igor Zakowski | 123RF Stock Photo
(Image has been cropped.)

Here and There in 3-5-3

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Emptiness Here
|Empty bowl
|atop microwave,
|just for looks.
Emptiness There
|Empty bowl,
|heavy with nothing.
|Hunger pangs.

I give to several charities that help hungry people in many places with a mix of short-term and long-term efforts.  In particular, my next gift to CARE will be matched 5X.  The matching grant offer on CARE.org/match will expire 2019-05-25.  (A popup on CARE.org has another match that expires sooner, on 04-30.)  If U can give more than whatever U may have already given to charities like CARE this year, now is a good time.

(reblog), haiku, photography

Clams in the Clouds

Two haiku (each inspired by a photo of clouds imitating clams) illustrate the synergy between poem and image in a modern haiga (with a photo as the image).  Haiku #2 uses a modern kigo (“abalone”).  I took the calm photo; Sue Ranscht took the dramatic one.
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The cloud images in this post were in an earlier post (for a photography challenge) that emphasized synergy between pastel pink and green.  Now I am responding to a haiku challenge with emphasis on synergy between poem and image in a modern haiga (with a photo as the image).  Haiku #2 uses the modern kigo abalone.

To those who have not seen many nacreous clouds, the poems’ metaphors might seem far-fetched.  Presenting the photos along with the poems they inspired may reassure readers willing to trust that the photographers refrained from deceptive editing.  I took the calm photo; Sue Ranscht took the dramatic one.

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© Sue Ranscht | Space, Time, and Raspberries

Clams in the Clouds #1
|Serene clouds
|give mother-of-pearl
|to old eyes.
Clams in the Clouds #2
|Molten pewter clouds:
|some are tinted pink or green.
|Abalone shell.