enlightenment, ethics, fiction, humor, photography

Satori from a Consulting Gig

The who and how of sudden enlightenment might transcend ordinary logic.  To illustrate my short story about a weird instance of satori, I edited a NASA image formed by combining data from five telescopes.  While the image is for real, the story is neither the literal truth nor a bogus claim to tell it.
(BTW, the [Menu] button atop the vertical black bar reveals the widgets.)

Management consultant Frank Dow showed no surprise at the new client’s evident desire for a genuine consultation rather than a canned endorsement of plans already made.  Though unusual, the client’s sincerity was still less surprising than the client’s identity.  The client was God.  Dow listened intently as God began to describe His problem:

“Forget any twaddle you may have heard about omnipotence and omniscience.  The universe is too immense and diverse to be micromanaged, even by Me.  Roughly speaking, I built a big machine and let it run.  But it’s not boringly deterministic.  The universe is all about probabilities.”

As God continued, the proud-parent joy in his voice was clear:

“The probability that a randomly chosen planet will be suitable for life to appear at all is tiny.  The probability that creatures with any ability to understand and appreciate the universe will evolve is tinier still, but not exactly zero.  On the other hand, there are a lot of planets in the universe.  There’s no need to crunch the numbers right now.  The bottom line is that a few planets luck out.  On your little blue planet, life thrived and your species evolved advanced abilities to observe and learn, to imagine and reason, to build bridges and write poems.”

With joy replaced by sadness and frustration now, God explained what He hoped Dow could provide:

“While I mostly let things run, I am not absolutely hands-off when a planet has intelligent life that blunders into being cruel or stupid.  I nudge them in good directions by inspiring a few of them.  In your planet’s case, I have had a little success and a lot of failure.  I keep it simple and age appropriate, but they oversimplify half of what I tell them and obfuscate the rest.  The Golden Rule gets through as something to proclaim but not as something to practice.  Absurdly, much of what they think has been revealed to them is just their own bigotry and bullshit.  The way they distort My message is so alien to the corporate culture here that nobody has a clue about how to handle it.  As someone who is closer to the problem without being part of it, you may be able to help us.”

Given a temporary office with read access to the case histories (and full access to a plentiful supply of coffee and nutritious snacks), Dow went to work.  A recurrent pattern emerged:

Inspirations that did not fizzle attracted disciples, often with authoritarian personalities.  Authoritarian disciples misinterpreted God’s nudges and stridently claimed they could speak for God on all kinds of topics, now and forever.  Many of those who were strident were also willing to coerce people they could not convince.  Many of those who were willing to coerce were also willing to kill people they could not coerce.

Poring over the case histories was depressing, but Dow kept at it (with the able assistance of good coffee and good snacks).  Eventually, he was ready to offer God a suggestion:

“I believe there is a personnel issue here.  You have been inspiring people who mean well but score high on credulity and low on humor.  Maybe it would help to go outside the box.  For example, You could inspire a nerdy atheist who digs sacred music and pushes the envelope of haiku poetry.”

God was skeptical: “Does anybody like that exist?”

Frank Dow smiled the enigmatic Mona Lisa smile that sometimes appeared when he was moonlighting as a Zen master.  He leaned forward and spoke softly: “Does anybody like You exist?”

At that moment, God attained enlightenment.

satori_840x782

Sources

How to illustrate the concept of satori?  For this post, I cropped a NASA image of the Crab Nebula and told the Retouching tab in my photo editor that each star was a blemish to be removed.  If there is intelligent life on any planets orbiting those stars, I hope that nobody will be mad at me for dissing their sun.  Oh well, it’s a big universe.  I will be long gone before they have a chance to find out.

In its present form, this post’s story first appeared in Volume 1 of The Rabbit Hole, an annual anthology of weird stories.  None of the stories there are illustrated, and I had no good ideas for an illustration anyway.  How I came to write a story about God hiring a consultant whose recommendations are outside the box is yet another story, somewhat weird but entirely true.

Buddhism, fiction, humor, language

Live in the present.  Write there too.

The ancient advice is still good.  Live mostly in the present, with enough dwelling on the past to serve specific purposes like learning from mistakes.  Also good is the much more recent advice to write fiction in the present tense, unless there is a specific reason to use the past tense.

Zen lore includes some stories with endings of the form

At that moment, __________ attained enlightenment.

Fill in the blank with the name of somebody who studied Zen for some time and finally saw the light when his teacher said or did something outrageously weird.

While my story Satori from a Consulting Gig does not presuppose any knowledge of Zen lore, it does have a surprise ending (partly inspired by those Zen stories) with my own way to fill in the blank.  Using the past tense in my story’s last sentence helps make the allusion to Zen lore clear to those who might care about it.

Did I choose to write my story in the past tense because I planned to end it that way?  Not consciously.  I just set out to write a short story.  I’ll write some fiction.  I’ll use the customary past tense.  Doesn’t everybody?

Not quite.  I got over 16 million hits when I googled

present tense vs past tense fiction

much later, in preparation for writing this post.  Before discussing some pros and cons that are out there (and some that may be new), there is a little more to be said about my story’s tense situation.

Rope fraying

© S. Silver | 123RF Stock Photo

My story was written for an anthology whose editors asked the contributors to supply blurbs.  I wrote a blurb in the same tense as the story, then noticed that other contributors wrote blurbs in the present tense for stories in the past tense.  Why?  I found the inconsistency troubling.

Another contributor (Sue Ranscht) kindly remarked that the present tense “creates a punchier tease” in blurbs than the past tense does.  Indeed.  Why not make the actual story (not just the blurb) be as vivid and engrossing as it can possibly be?  Unless there is a specific reason to use the past tense, why not write in the present tense?

§1: Perilous Present

Written in the present tense, my newer story Entanglements begins with

Squatting over the airport, a thunderstorm supercell demolishes …

Yes, the word demolishes might be misread as (a typo for) demolished.  Yes, the reader might be a little disoriented at first.  Worse, the reader might suspect that gimmicky writing is camoflage for weak content.  Such concerns loom large in a thoughtful page that recommends using the past tense by default and the present in some special cases.  We can agree on the bedrock principle that one size does not fit all, even as we disagree amicably on where to draw some lines and how strongly to weight some concerns.  That’s a respite from the train wreck of contemporary politics.

Dunno how 16 million hits in my Google search compares with how often the present tense has actually been used in good stuff.  As good uses accumulate, the prudential reasons for defaulting to the past tense will gradually weaken.  Of course, there will always be people who believe that the earth is flat, the moon landings were faked, and

Thou shalt write fiction in the past tense.

came down from Mount Sinai with Moses.

§2: Perilous Past

Readers (and writers!) may not be native speakers of English.  As with many other aspects of language, English is exuberantly irregular in how it forms the past tense.  People learn the past tense of a verb later (and less thoroughly?) than they learn the present tense.  Can U hear the rumble of an approaching storm?

When offline (or distrustful of Google Translate), Pierre consults his French/English dictionary.  How can he say prendre in English?  No problem.  Just say take.  But Pierre is writing in the customary past tense.  Neglecting to look up take in the other half of the dictionary, he says taked where he should say took.

Consider 3 common ways that verbs ending in -it can form their past tenses: hit/hit, pit/pitted, and sit/sat.  Quick now: knit/knit or knit/knitted?  Shit/shit or shit/shat?

There are a few verbs with 2 ways to form the past: an irregular usual way and a regular way for a special usage:

  • Starting a road trip, the team flew out to Chicago.
    Swinging at the first pitch, the batter flied out to left field.
  • The picture was hung in a prominent place.
    Nathan Hale was hanged as a spy on 1776-09-22.

This last nuance is subtle enough to trip up some native speakers.

§3: Perilous Past Perfect

Pierre is back.  The draft of his story has a short paragraph about some taking that happened at an earlier time.  Not fond of flashbacks, he has a good reason to put this paragraph as late as it is, not earlier in the narrative.

Sadder but wiser after being corrected by a ten-year old whose first language is English, Pierre refrains from writing had took for the past perfect for the verb take.  He looks up the actual past participle and writes had taken.

Pierre’s pluperfect paragraph is grammatical but clunky.  What to do?  Rewrite the main narrative in the present tense and the clunky paragraph in the past.  That will be a chore, but such a clear and distinct idea deserves the effort.  Descartes would approve.

§4: John and Jane Get Tense

John has been writing screenplays that often use flashbacks.  Now he wants to write a novel and still likes flashbacks.  He realizes that readers would be confused if nothing but a paragraph break separates what the characters do and experience “now” (from their viewpoint) from the start or end of a flashback.  There is a lot of sensible advice out there about things like narrative transitions to and from flashbacks, but John wants to stay closer to his cinematic roots.  He uses the present tense for the main content and the past tense for the flashbacks.  If he also switches to a noticeably different font for the flashbacks, that might be enough in most places (after narrative transitions for the first few flashbacks).

Jane has been writing historical fiction and using the past tense to make it look like history.  Now she wants to write fiction with a first-person narrator and package it as a rather one-sided conversation with an implicit listener.  She plans to keep the past tense for the main content and add some present-tense remarks, often in response to what the listener has presumably just said.  The present-tense remarks will be frequent and incongruous.  The narrator will tell a self-serving version of a sequence of events in the past tense while accidentally revealing the darker and/or funnier truth in the present tense.

I warned Jane that readers (especially impatient thick-headed guys like me) may just take the narrator to be ditzy and bail out early.  But Jane is game to try.  If she does make it work, I know a good place to submit her story.

§5: Recurring Rabbit

Rabbit-Hole_Worried-Rabbit
The Rabbit Hole is a series of anthologies of weird stories, with a troika of editors.  Volume 1 came out in 2018, Volume 2 is scheduled to come out on 2019-10-01, and the editors hope to continue annually.  Maybe Jane can contribute to Volume 3.

My story Satori from a Consulting Gig in Volume 1 is just 2 pages long, so even those who dislike it may still be glad they bought the book for $2.99 as an e-book or $12.50 as an ink-on-paper book.

While every extended narrative in Volume 1 uses the customary past tense, Volume 2 will have at least two stories told in the present tense.  No, the editors’ fondness for weird stories does not extend to a fondness for weird writing.  As originally submitted for Volume 2, my story Entanglements did have some weird writing at the end that seemed unavoidable to me.  One of the editors (Curtis Bausse) suggested a strategy for avoiding the unwanted weirdness, and the strategy worked.  There was no fuss at all about my use of the present tense.  That is as it should be.