haiku, photography, science

Cracks in a Facade

As happens in many natural places, this stony mass presents a facade of barren sterility.  Gripped by Earth’s gravity, the rock seems weighted down by its own mass.  Then we look more closely.
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Mass ~ Pic and a Word Challenge #221

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Morose Monolith
|Sullen mass of stone,
|hosting only black lichen?
|Seeds and spores found cracks.

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flowers, haiku, love, photography

Widower’s Song #4

The first three are haiku in a previous post.  This new one is a tanka in response to a CDHK prompt.  A vase with this special urn’s shape and colors would have pleased Edith, and that means a lot to me.
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Carpe Diem #1814 lost love

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Widower’s Song #4: This Urn
|It held her ashes,
|waiting until daffodils
|came for them in spring.
|Then it held one last bouquet
|of her favorite flowers.

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haiku, history, humor, photography

Vertical Shoreline

How can a shoreline be vertical?  Well, steep cliffs can plunge nearly straight down into the sea.  There may be a cave entrance right at the actual shoreline.  Do we dare enter the cave?  Perhaps (to borrow a few words from Patrick Jennings’ Challenge #220) a beautiful light awaits us there.
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Shoreline ~ Pic and a Word Challenge #220

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Is the sea at Capri’s shoreline still as clear now as it was when I was there in 1977?  I hope so.

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While we’re on the subject of clarity, let’s note that it is not clear whether the eponymous goats really did live on ancient Capri.  But it is clear that the island sited precursors of Mar-a-Lago for Imperial Rome’s fat tyrants.

From the outside, the Blue Grotto (Tiberius’ private pool) looks much like the (other?) grotto in my photo.  The view from inside is entirely different.

A cave entrance right at the shoreline can sometimes work magic.

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Blue Grotto (Capri) [edited image]

Capri Shoreline, Long Ago
|Goats traverse cliffs while
|pink whale swims in blue grotto.
|Naked emperor.

food, haiku, photography

I Dig This Challenge

Photographer-poet Patrick Jennings posts a weekly challenge to create something inspired by one of his photos and a single word.  Challenge #219 is posted with a photo and an appropriate haiku (using the challenge word “dig”).  Fortunately for me, it is OK to reuse Patrick’s splendid image in a haiga with my own haiku.
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© Patrick Jennings | Dig ~ Pic and a Word Challenge #219

Low Tide at Seaside Creek Beach
|To dig for clams is why
|we are here, beneath this sky.
|No clams?  No problem!

Two Cheers 😀 😀

The first is for anybody who noticed that changing the haiku’s initial line

To dig for clams … ⇒ Clam digging …

would make the haiku comply with the 5-7-5 rule.  The second is for anybody who noticed that the version of the initial line with 6 syllables has a better rhythm.  The actual editing change was from 5 syllables to 6.  Does that seem like an odd direction to move?

The outside story says that a haiku “is” a 3-line poem in blank verse with syllable counts 5, 7, and 5.  While this story is oversimplified, it is still a good place to start.  (Some haiku poets disagree.)  The inside story is more complex.  Various poets bend or break various rules at various times for various (and often good) reasons.  Tho messier, the inside story is ultimately the better one.  Just ask the clam digger who went home with an empty bucket but a full heart.

 

photography, serendipity

Two Visual Illusions

Follow the photons.  The backstory of one illusion begins far away and ends on a window pane.  The backstory of another illusion turns day into night, but not in the same way as the challenge that inspired this post.
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A ghostly translucent squid seems to hover in midair between the viewer and nesting herons.  No, I did not combine a heron image with a squid image in my photo editor.

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The photo is of a page from National Wildlife magazine, taped to window glass and lit from the outside.  (The page blocks a reflection of the sun from a neighbor’s window.)  The squid looks a good deal closer than the herons despite being farther away, but only by the thickness of the page.  The illusion in real life is just like the illusion in the photo.

The photo below illustrates a haiku about a bright full moon shining thru autumn leaves.  Is it really the moon or just a flood light?  Neither.

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The photo was taken by daylight.  The sun was above and behind me, but the light was dappled by unseen leaves (between me and the sun) before reaching the leaves I photographed.  I was hoping for some chiaroscuro and got more than expected by sheer dumb luck.  Most of the photographed leaves were in shade.  Thanks to some unusually reflective green leaves that were in bright sun behind the colored ones, those colored leaves seem to be transmitting light from behind them when they are actually reflecting light from in front of them (and behind me).

The photos displayed above were chosen from among several exposure settings, then edited only by cropping.  More extensive editing may be needed to create other illusions or to compensate for differences between how cameras and eyes see things.  In particular, consider the challenge that inspired this post:

Illusions ~ Pic and a Word Challenge #213

Here are smaller versions of the images displayed in the challenge:

Desaturating a deliberately underexposed photo turned day into night.  At any single exposure setting, a photo of the contrasty daylight scene would be either washed out in light areas or blacked out in dark areas.  (Maybe both.)  Editing merged several exposures to approximate how the scene looked to human eyes.  Visit the challenge for more details on HDR editing and a fine haiku with no technical prerequisites.

 

humor, photography

Gourd-geous Nativity Scene

The gourds in the foreground are kneeling shepherds.  No, I did not take this photo last fall and save it for the Xmas season.  The backstory is more interesting than that.  It’s a minor miracle.
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I took the original photo on 2019-02-25 after noticing that my display of 5 gourds and a few rocks looked a little like a Nativity display.  (I edited the photo to have more of the chiaroscuro in some old Nativity paintings.)  The gourds were the survivors from the 10 gourds I had bought on 2018-09-24, still looking good after 154 days.  Those gourds were like the temple’s oil supply in the Hanukkah story.

Sure, it’s unlikely that gourds will last 154 days.  But unlikely things do sometimes happen.  Don’t bet on when or where.

Have a Merry Xmas

and take it in stride if the New Year brings U yet another illustration of the statistical truism

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Unlikely Life | Word Porn Quote

(reblog), humor, music, photography

Cathedral & Lighthouse & Xmas Carol

Claude Monet’s paintings of the cathedral at Rouen illustrate the principle that what U see depends on when U look.  Patrick Jennings’ photos of the lighthouse at Amphitrite Point illustrate the same principle.  The prose poem posted with one of them has also inspired new lyrics for a classic Xmas carol.
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Claude Monet’s paintings of Rouen Cathedral are well-known.  Tho built for utilitarian rather than devotional purposes, the lighthouse at Amphitrite Point (on the coast of British Columbia) has much in common with the Rouen Cathedral.  Each tries to guide the viewer to some form of safety.  Each looks different at various times (and from various vantage points).  Each has had its beautiful variety captured by a great artist.

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© Patrick Jennings | Pix to Words | Amphitrite Lighthouse

Click on the image credit for access to Patrick Jennings’ other photos of the Amphitrite Lighthouse.  Each image is accompanied by poetry.  The prose poem posted with this image is an evocative dialog between the “Great Light” of the setting sun and the “little light at Amphitrite” (who gets the last word).  Hmmm.  “Little light at Amphitrite” could have a nice rhythm and an internal rhyme.

While the name of the eponymous Greek goddess is pronounced like [am-fi-tright-ee], it is OK to pronounce the place name like [am-fi-tright].  (Amid wind and waves, saying the [-ee] would sound rather twee.)  Why do I care?  Consider the tune of the Xmas carol O little town of Bethlehem.  As with Greensleaves or Glorious things of thee are spoken, a great musical foundation can support many lyrical superstructures.

|O little light at Amphitrite,
|how bright we see thee glow.
|The sea can smash a boat on rocks,
|as all good sailors know.
|But sailors steer with confidence
|they will not drown just yet.
|Thy beacon guides them safely home
|no worse than cold and wet.