haiku, photography

A Life Is Like A Day

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It is late afternoon, so I will get while the getting is good.

Do It Now
|Low sun; long shadows.
|Take photos before sunset:
|twilight summons night.

Spider-Rock

Spider Rock — ©2012 John Wanserski for Creative Juice LLC

While there are many fine photos of Spider Rock and its shadow, this splendid one by John Wanserski has colors and composition that are distinctive and especially appropriate for my haiku.  Click here to buy a print.

haiku, humor, photography, serendipity

Beyond Rules

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While obeying many rules is common and often helpful, there are very few rules that must always be obeyed.  I had thought that poems in haiku form must have 3 lines.  Then I wrote a 2-line haiku.

¯\_(ツ)_/¯

naro-h-v_18pc wide-18pc-392x442

Rules Went Away
!Doorknob meteor shower:
!mundane miracle.

Have U read Alice in Wonderland ?  Expecting me to refrain from reworking an initial idea in my wordsmith’s forge is like expecting Alice to refrain from following a white rabbit who looks at a watch and frets about being late.  Ain’t.  Gonna.  Happen.

¯\_(ツ)_/¯

Rules Came Back
!Meteor shower
!seen by day in a doorknob:
!mundane miracle.

(reblog), haiku, photography, tanka

Dawn Can Endure

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Tho originally written in response to a challenge on a blog other than CDHK, the tanka here can also respond to

Carpe Diem #1214 dawn

because it uses the word dawn and has fragment/phrase structure on 2 levels: between the haiku and the rest of the tanka as well as within the haiku itself.

My tanka responding to a challenge posted by Patrick Jennings is a riff on the splendid photo he provided, with hills that seem to go on forever in both time and space.

Originally posted by Patrick Jennings in
[Evanescent ~ Pic and a Word Challenge #89]:

himalayan-foothills-sunrise-kunjapuri-devi-temple-rishikesh-uttarakhand-india-copy

View original

Seize the Sunrise
Evanescent dawn.
Do hills endure forever?
No, but long enough.
~ ~ ~ ~
Art subverts time with pixels;
the moment also endures.

haiku

Oneness of High and Low

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The oneness emphasized in
Carpe Diem Theme Week “The Songs of Milarepa”
(2) “flying clouds”

encourages becalmed sailors.

becalmed-ship

© Nilspr | Dreamstime.com

Heralds in the Sky
 Flying clouds reveal
 unseen wind above limp sails.
 The crew dares to hope.

haiku, photography, love

Haunted Without Ghosts

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My haiku in response to Ghosts ~ Pic and a Word Challenge #92 is third in a series that began with 2 in a previous post.
Edith-1981

Widower’s Song #3
 Ghosts do not haunt me.
 Remembered joys can often
 overcome regrets.

haiku, photography, STEM, tanka

Willing to Muddle Thru

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curtain-complex

Like the conflict between living in the moment and planning for the future, abstract/concrete (or general/specific) is a conflict that can only be managed, not avoided or resolved.  Trying to be 100% one or the other does not work.  We must muddle thru, preferably with awareness that what works for one person at one time will not work for all people at all times.  This post muddles thru the abstract/concrete conflict with a mostly abstract tanka inspired by excerpts from the mostly concrete poetry in 2 posts by others.

Consider the first of 4 stanzas posted in {underground (20170523)}:

© Crow
i have learned the hard way
that just because something
has been buried does not mean
it’s dead

It could stand alone as a fine short poem.  It also inspired the fourth of 7 short stanzas posted (along with an interesting biographical sketch of the 17-th century painter Caravaggio) in {Caravaggio Dreams}:

© Poet Rummager
Do you not see what I’ve buried deep,
has dug itself out to find me?

Maybe it’s because of my math background that I felt these excerpts were more powerful standing alone than in their original contexts, with concrete details about zombie cannibals and Norse gods (Crow) and a dream encounter with Caravaggio (Poet Rummager).  While I do prefer cremation to internment and do appreciate Caravaggio’s pioneering of expressive chiaroscuro, I found all those details distracting.  I was moved by the quoted stanzas despite what went with them.

One of the virtues of haiku poetry is that there is scant room for anything irrelevant, so I tried putting my takeaway into a haiku.  But I found that format a little too restrictive.  What happened after whatever was buried deep had dug itself out?  My haiku left open the possibility that it might have just toddled happily away, w/o the ominous implications of the first line from Crow’s stanza and the last 3 words from Poet Rummager’s stanza.  Wanting my poetry to be forthrightly ominous rather than ambiguous, I extended the abstract haiku to a tanka with (as it happens) concrete imagery in the 2 added lines.

Empty Grave
I buried something
that was not already dead.
It dug itself out.
~ ~ ~ ~
It shook like a wet dog and
followed my scent to find me.

it-dug-itself-out

© Doddis | Dreamstime.com

Tho a uniform level of abstraction might be nice, I can live with the muddle.  At least in visual art, the distinction between abstract and concrete is somewhat muddled anyway (and not just because of photography).

curtain-simple